Ekphrasis - Images, Cinema, Theory, Media is a journal with significant influence in the field of visual culture and related theoretical research. Focusing on the interrelationships and interdisciplinary research between images, films, theories, and media. It covers a wide range of topics, including but not limited to analysis and interpretation of visual arts, film theory and criticism, visual elements in media research, and the role of images in culture and society. Emphasize interdisciplinary research methods, integrating perspectives from multiple disciplines such as art history, literary theory, cultural studies, philosophy, etc. It not only focuses on the visual object itself, but also delves into the cultural, historical, and social context behind it.

Numerous renowned scholars and researchers have published innovative and inspiring research findings in this journal. For example, in the field of visual arts, there are new interpretations of classic paintings and in-depth analyses of contemporary art phenomena; In the field of film studies, new types of films and narrative techniques have been explored, as well as the mutual influence of films on society and politics. For example, studying how images have become expressions of social trends during specific historical periods, or how media shapes the public's understanding and response to visual information. This journal provides a platform for scholars from different disciplinary backgrounds to exchange and collide ideas, promoting the development and innovation of visual culture research.